Mixing Light - Color Tutorials Collection

Mixing Light - DaVinci Resolve達(dá)芬奇色彩調(diào)色教程合集

Adding Grain Efficiently Using The Overlay Blending Mode

Adding Some Clarity- 3 Different Methods

Advanced Beauty Grading - Stills Techniques

Advanced Beauty Grading Part One

Advanced Windows - Difficult Shape Masking

Bad TV- Essential Steps For Creating The Bad TV Look

Behind The Curtain - Bread Short Film Part One

Behind the Curtain - Commercial #1- From Base Grade to Final Look

Behind the Curtain - Commercial #2- From Base Grade to Final Look

Behind The Curtain - Liberty Commercials Sun vs No Sun

Behind The Curtain - Live Concert Grade

Behind The Curtain - Refining and Enhancing _Bread_

Behind The Curtain - Shot Matching _Bread_

Behind The Curtain - Thrice The Grey

Best Exposure From Your Raw Files

Building A Show LUT to Keep Your Looks Consistent

Color Correcting Using New Software - Have Confidence In Yourself

Color Warper 101 - Concepts and Interface Fundamentals

Color Warper 101 Part 2- Managing Points _ Pins + Chroma-Luma Panel

Color Warper 101 Part 3- Creating Looks (Plus A Grading Challenge)

Combining Shared Nodes and Group Grades – Applying CSTs, Looks and, LUTs

Conforming In DaVinci Resolve - Solving Sync _ Frame Rate Problems

Controlling Saturation in DaVinci Resolve

Creating a _Film Look_ and Managing Film Grain

Creating An S-Curve Using The Contrast _ Pivot Controls

Creating Skin Contrast With High_Low Key Techniques

Creating the Classic Black and White Look By Thinking Like A Colorist

Creating Your Own Fusion Effects Plug-ins with DaVinci Resolve 17

Creative Grading - Retro Sci-fi Look

Custom ACES Part 4- Updating For Resolve 17

DaVinci Resolve Compound Nodes- Efficiently Managing Looks

Developing Looks And Settling On Your Exposure Levels

Dirty Color Grading Looks - Taking Your Image To The Limit

Dirty Looks - Emulating Early Film Looks with Light Leaks

Dirty Looks - Looks Throughout The Ages

Dirty Looks- Early _00s Looks

Exploring XML Conform Options in DaVinci Resolve

Exporting LAB LUTs from Photoshop- Does it work-

Feature Inspired Color Grading Looks - Blade Runner 2049

Finishing In Resolve - Reframing, Blanking _ Delivering

Frequency Seperation - An Introduction

From Client Hard Drive to XML Export- Prepping a Timeline

From The Grading Room Grading Underwater Footage

From The Grading Room- Turning A Session Around

Getting Up To Speed On Resolve 17’s New Proxy Workflow

Grade Breakdown - Challenge Your Imagination

Grade Rescue - Saving A DSLR Moving Portrait

Grading A Short Film Part 2 - Testing The Feel Of The Footage

Grading The White Cyc Stand Up - When White Is Not White

HDR Palette - Using Multiple Zones, Contrast, Presets, Global Control

HDR Palette 101 - Resolve Color Management 2.0 + Contrast Controls

How A Colorist Makes Decisions Through The Grading Process

How Do You Use Resolve_s Parallel and Layer Mixer Nodes-

How Do Zones Work in Resolve 17_s New HDR Palette-

How To (Improperly) Export LUTs in DaVinci Resolve 15

How To Combine Group Grades With Shared Nodes While Avoiding The Pitfalls

How to create a light, airy feel by dropping the midtones

How to Handle Scaling in XML Workflows for Premiere Pro CC

How to Protect Skin Tones While Color Grading with a Heavy Look

How To White Balance Shots Using Common Color Correction Tools

How to Work with Color Charts in DaVinci Resolve 14

In Action- Working With The Key Mixer In DaVinci Resolve

Infrared Look - Emulating Aerochrome

Inside the Color Grade Of A Furniture Brand - Series Overview

Inspiration - Color Grading Methods In A Fashion Commercial

Inspired By Lacoste, Timeless - Learning From An Award Winning Grade

Is Your ARRI Alexa Mini Color Pipeline Properly Set in ACES-

LAB Color in DaVinci Resolve - Foundations Part 2

LAB Color in DaVinci Resolve- Is it effective-

LAB Colorspace- An Introduction (using DaVinci Resolve 11)

Look Inspiration - Adding To The Narrative In A Flashback

Look Inspiration - B_W Looks

Look Inspiration - Colorized Film Look

Look Inspiration - Metallic Monochrome

Look Inspiration - Warm Commercial Look

Matching Pantone References - And When To Say No

Neo Noir B_W - Using Hardlight Blending Mode

Node Tree Compositing- Building A Green Screen Shot In One Node Tree

Nodes 101 – Mastering DaVinci Resolve’s Serial Node

Photochemical Grading - Part Two

Practical Beauty Color Grading Level One- Quick and Effective

Read me.rar

Rebooting Your Eyes - How To Step Back From Your Grade

Rediscover The Basics - Advanced Node Operations

Rediscover The Basics - Color Temperature

Rediscover The Basics - Contrast

Rediscover The Basics - Defining Texture In Your Image

Rediscover The Basics - Fixing Exposure Shifts

Rediscover The Basics - Saturation

Resolve 17 Big Little Features- Part 2 – The Edit Page

Resolve 17- Big Little Features Part 1 - The Color Page

Resolve Color Management Tips and Pat_s Fixed Node Tree

Saving The Day With Input Sizing in DaVinci Resolve

Shot Matching - Working With Skin Tone

Should You Go For That Film Look Or Embrace The Digital Clean Look-

Skin Tone Essentials- Hands, Arms, Legs and Feet Part One

Sky Replacement - Is It An Essential Skill For Colorists-

Tales From The Grading Suite - Lighting The Looks

The 10-Minute Grade- Shot Balancing (updated)

Thinking Like A Colorist - Color Correcting A Forest Scene

Thinking Like A Colorist - Considering Final Contrast Pt 1

Thinking Like A Colorist - The _Final Grade_

Thinking Like A Colorist- Breaking Down the Western Scene

Two Ways of Using DaVinci Resolve_s Parallel Mixer Node

Understanding the Premiere to DaVinci Resolve Image Sizing Handoff

Using DaVinci Resolve_s _Offline Reference Clip_ to Conform Timelines

Using Log Controls As A Secondary Correction

Using Playheads - Working Faster In DaVinci Resolve_s Color Page

Using Post-Clip Grouping As A Timeline Grading Alternative

Warm Looks- Yellow Warmth Vs Red Warmth (which are you-)

White Balancing Shots and Solving Common Problems

Why We Love LUTs and How To Replace Your LUT Addiction

Why You Need to Master the _Frame Size_ Option in Premiere Pro CC

Working With Reference Images Part 2- Evaluating Camera Source Footage

Working With Reference Images Part3- Building The Look