The Gnomon Workshop - Designing & Creating a Creature Bust - From 2d Concept to Final 3d Asset with Pascal Raimbault

帕斯卡爾·雷姆博設(shè)計(jì)和創(chuàng)建一個(gè)生物半身像教程-從2d概念到最終的3d資產(chǎn)。

這個(gè)由WētāFX首席3D建模師帕斯卡爾·雷姆博（Pascal Raimbault）主持的生物設(shè)計(jì)研討會(huì)涵蓋了他為制作而構(gòu)思獨(dú)特角色的完整流程。從2D設(shè)計(jì)開始，使用Maya和ZBrush逐步構(gòu)建符合原始概念的3D模型。紋理部分全部使用Substance Painter處理，并覆蓋多種材料。然后使用Houdini設(shè)置效果，最后，在Maya中綁定模型，以便在Karma中設(shè)置姿勢(shì)和渲染。

DESCRIPTION

This creature design workshop by Wētā FX Lead 3D Modeler, Pascal Raimbault, covers his complete pipeline for concepting unique characters for production. Starting from the 2D design in Krita, Pascal moves on to progressively build a 3D model that is truthful to the original concept, using Maya and ZBrush.

This comprehensive workshop details some of Pascal’s favorite skin-sculpting techniques in ZBrush. He explains how he makes his models production-friendly, including how to rework the topology and handle the UVs in Maya. Pascal also covers creating additional elements, such as hard-surface costume pieces detailed in ZBrush, making extensive use of ZBrush’s powerful Polygroups.

The texturing portion is all handled using Substance Painter and covers a variety of materials. The look-dev and turntable setup is then explained in Houdini using Solaris, and finally, the model is rigged in Maya to be posed and rendered in Karma.

The result of this workshop is a final asset suitable for any department in a studio environment to take over, whether to use the asset for a visual effects production or in a game cinematic. To finish off, Pascal shows his high-res renders produced using some basic compositing tricks in Houdini.

Project files include the ZBrush 2022 tool file, which includes the high-resolution skin sculpt and an early WIP version of the costume model, for your reference.

Duration: 271 Minutes

Format: HD 1920x1080