CGCircuit - The Fastest SkinCluster Export Import

CGCircuit - 最快的Maya皮膚集群導(dǎo)出導(dǎo)入Python開(kāi)發(fā)教程

您是渴望了解頂級(jí)視覺(jué)效果工作室中使用的行業(yè)秘密和工作流程的Maya技術(shù)美術(shù)師嗎？或者，也許是希望提高您的腳本編寫(xiě)、開(kāi)發(fā)和工作流規(guī)劃技能的個(gè)人或?qū)W生？

在本培訓(xùn)教程中，我們將學(xué)習(xí)如何編寫(xiě) Maya Python 變形器導(dǎo)入器/導(dǎo)出器，它的速度比一些最高級(jí)別的 VFX 工作室使用的傳統(tǒng)工作流程/代碼快 40 倍，輸出的文件小 60 倍。10 個(gè)工作室中有 9 個(gè)以相同、緩慢、過(guò)時(shí)的方式保存 SkinCluster 權(quán)重，我們將改變這一點(diǎn)！

我的名字是Noah Schnapp，我是目前工作室的索具和CFX主管，我也是VFX工作流程/管線顧問(wèn)，我很高興與大家分享我多年來(lái)學(xué)習(xí)和開(kāi)發(fā)的行業(yè)技術(shù)。

我們將介紹這種令人難以置信的強(qiáng)大且多功能的壓縮算法和工作流程的秘密。我們不僅將研究變形器數(shù)據(jù)操作和極端壓縮比策略，我們還將為您當(dāng)前和未來(lái)的工具集打開(kāi)一個(gè)充滿創(chuàng)造性編碼機(jī)會(huì)的世界。你再也不會(huì)以同樣的方式思考發(fā)展規(guī)劃和編寫(xiě)代碼了。

數(shù)千美元用于改進(jìn)大型復(fù)雜任務(wù)，但頻繁運(yùn)行的較小任務(wù)的成本對(duì)工作室的成功來(lái)說(shuō)是最大的負(fù)擔(dān)。在我的職業(yè)生涯中，我曾在各種工作室工作過(guò)，主要的常見(jiàn)缺陷是多個(gè)藝術(shù)家使用的核心工具，這些工具是用 10 多年前實(shí)現(xiàn)的相同、緩慢的方法編寫(xiě)的。

為什么工作室不談?wù)撨@個(gè)？這是一個(gè)“如果它沒(méi)有壞，就不要修理它”的情況。我們都見(jiàn)過(guò)經(jīng)典的SkinCluster出口商，但這項(xiàng)技術(shù)在當(dāng)今世界無(wú)法生存。我們有更高的多邊形計(jì)數(shù)、更多的關(guān)節(jié)和更多的角色要綁定。如果我們減少頻繁的短任務(wù)的成本，我們將節(jié)省更多的時(shí)間和金錢(qián)，而不是將精力集中在很少使用的大型任務(wù)上。

你準(zhǔn)備好永遠(yuǎn)改變你的獨(dú)立/工作室的綁定工具，成為工作室正在彎腰聘請(qǐng)的藝術(shù)家嗎？

The Fastest SkinCluster Export/Import- A Studio Workflow: The Art of Compression.

Are you a Maya Technical Artist dying to learn the Industry secrets and Workflows used in the Top-tier Visual Effects Studios? Or maybe an Individual or Student looking to improve your Scripting, Development, and Workflow Planning skills?

In this Training Series we'll learn how to write a Maya Python Deformer Importer/Exporter that is 40 times faster and outputs a file 60 times smaller than the conventional workflow/code that's used at some of the highest level VFX Studios.

9 out of 10 Studios Save SkinCluster weights in the Same, Slow, Outdated fashion, and we're going to Change That!

My name is Noah Schnapp and I'm the Head of Rigging and CFX at my current studio and I'm also a VFX Workflow/Pipeline Consultant, and I'm happy to share with you the industry techniques I've learned and developed over the years.

We will cover the secret to this incredibly powerful and versatile Compression Algorithm and Workflow. Not only will we examine Deformer data manipulation and extreme compression ratio strategies, we will also open a world of creative coding opportunities to your current and future toolsets. You will never think about development planning and writing code the same way again.

Thousands of dollars are spent on improving large, complex tasks, but the cost of the frequently run, smaller tasks are the most taxing to a studio's success. I've worked at a variety of studios over my career and the main common flaw were core tools used by multiple Artists that were scripted in the same, slow method implemented more than 10 years ago.

Why aren't Studios talking about this? It's a case of "If it's not broken, don't fix it". We all have seen the classic SkinCluster exporters, but this technology does not survive in our world today. We have higher polycounts, more joints, and more characters to rig. If we cut down on the costs of the frequent short tasks, we will save much more time and money rather than focusing our efforts on the rarely used large tasks.

Are you ready to forever change your independent/studio's rigging tools and be an Artist that studios are bending over backwards to hire?